Fable 2 and 3 were great games for many reasons, but they were also great games because of the good boy you get to have at your side throughout. Having the woofy little pupper helping you out in your adventure Games tips to locate treasures and defend you in battle made it feel great to have a dog. And with the gaming industry's obsession with petting random dogs in game worlds, why not give players the chance to pet their own companion at any given t

The very first shot in the ARK 2 reveal trailer shows an exotic looking flower only to reveal that it is fact some kind of dinosaur. Its long nose looks like a flower just before it blooms, and it is apparently capable of opening its snout to camouflage with other nearby flowers. After it closes the flower on its nose, viewers can see more of the creature's face, revealing chameleon like eyes and a lizard like body. Its tail and back spines are also made to look like leaves, ensuring that nothing can recognize it as an ani

As with the dog from Fable II , The Journey's designers clearly want players to emotionally invest in Seren. Gabriel can brush her, feed her apples, and occasionally has to tend to her injuries - players mime the motion for pulling arrows from her flesh, then use the magic of the gauntlets to heal the gaping wound left behind. For that matter, Seren is rendered beautifully: shiny coat with distinct hair, attentive, believably alive eyes - but it's all for nothing. She has no agency, no obvious personality or bearing on events. Seren's defining characteristic is that she's a pain in the ass to control, and dramatic story points that hinge on her fall flat as a result. Gabriel may care deeply about Seren, but the player never d

Having a voice helps make the conversations feel more natural, and if we had a way to choose how our characters voice sounded like Dragon Age did, it'd help add that flair to the customisation of your hero. Or perhaps it'll just do what Cyberpunk 2077 does and makes you feel as if you're experiencing a character's journey rather than your

Fable was one of my favourite standout games from the classic Xbox generation. Since its launch in 2004, the game offered players an RPG with choices that affected the protagonist in both popularity across the game's world and the character's physical appearance. The success from the original title led to Fable II and Fable III with each game offering different ways of playing while keeping the core "your choices matter" play at heart. Fable II had a dog while Fable III found itself pushing more moral choices to the player as they managed a city and its polit

Controlling combat is the familiar button mashing affair that gamers are used to with Fable . Battles normally boil down to repeatedly hitting the X button (melee attack) with the occasional magic spell thrown in for good measure. The combat can get boring quickly, but every now and then the hero pulls out a fancy finishing move that makes it worth not checking out during battle. The problem is the finishing moves are completely random and players can do the same combat actions 10 times yet only see the finishing move o

And that's more than enough reason to speculate on what I'd want to see from the upcoming fantasy epic from the developers that brought us Forza Horizon 4. Also, here's the trailer for it below, but it's you're seeing "This video is age-restricted" I'm incredibly sorry. YouTube doesn't like embedded videos anymore! Without further ado, let's get into what I want to see when Fable launches at some point in the fut

Accessibility in the video games industry boomed massively in 2020. We saw Ubisoft , Naughty Dog , and other studios both big and small making efforts to allow more players to play their games. Xbox has done a great job in creating accessible experiences for players , and also has a huge focus on the tagline "When everyone plays, we all win". With Playground Games being under the Xbox Game Studios umbrella, I'm hoping we'll see a wealth of accessibility features done w

The second section is arguably the best part of Fable 3 . The king has been overthrown and all those people who've received promises from the hero come calling. The hero can live up to their end of the bargain or choose to break the promise in order to earn more money. While it seems like a simple ‘Good v. Evil’ character decision, it’s not black and white. A large amount of money is required to defend Albion from an outside foe. These choices go beyond the standard ‘Good v. Evil’ choices found in most games like this, and it really adds to the experience of the game. Players finally will feel like every choice they make can/will affect the world in some way. In turn, the third section of the game is directly affected by choices in the second. So depending on the choices made in the first sections, the world of Albion will be quite different at the end of the game. In the interest of not spoiling major plot points, I won't go into further detail about the third sect