E3 2018 is right around the corner, and it's set to be one of the most stacked years for the show yet. There are a number of high profile, blockbuster releases already confirmed for the show, and when one combines those with the surprises that are no doubt in store, it's clear that this year's E3 is going to be h

With all the buzz surrounding Fable 4 online, it is all but assured that Microsoft will have something to announce at E3 in June. Microsoft is expected to have a big showing this year as, saleswise, they lagged far behind Sony in 2017 and this is partly due to their lack of exclusive titles. A big, impressive showing of new games exclusive to Microsoft would make a big impact and such a lineup would have to include Fable

Fable 3 is without question one of the biggest and most anticipated releases of the year. After spending a week with the game I can say with certainty that it’s worth the price of admission, but it’s not perfect. Developed by Lionhead Studios and published by Microsoft Game Studio, Fable 3 takes the franchise in a more accessible direction, opening up the world of RPG games to anyone who cares to pick up a control

Like Death Stranding , Halo 6 was another game we were told wouldn't be at E3. However, with Microsoft debuting the Xbox One X at the show, there was still the possibility that the company was just trying to lead fans astray to later surprise them at E3 with a reveal of Master Chief's next adventure games guide running on the new system. Sadly for Halo fans, Microsoft kept its word and Halo 6 wasn't revealed at E3, but the timing is right for the game to make a big splash at next year's s

Besides the games listed here, there are sure to be many others shown at E3 2018 this year. After all, one of the main reasons to tune in to E3 each year is for the surprise game announcements, and it will be exciting to see everything E3 2018 has in st

Visceral has been working on its Star Wars game for years, and with Uncharted director Amy Hennig at the helm, there has been quite a bit of excitement for the game. Sadly, EA and Visceral have kept their cards close to their chest, and so we know virtually nothing about what Visceral's Star Wars game has in store for gamers. With this year's E3 being dedicated to Star Wars Battlefront 2 , maybe E3 2018 will finally be the time for Visceral's Star Wars game to sh

While Molyneux’s inventive mindset gave rise to the "god game" genre (a genre loved by many a PC gamer), he’s also earned himself a number of negative connotations with how he promotes his games. It’s become a running joke that Molyneux tends to hype up any project he invests in to absurdly high levels, only to have the games miss their mark in one way or another. Fable became one of the most noteworthy examples of this "Molyneux Paradigm." During the game’s development, Fable was regarded by Molyneux and Lionhead as a paramount innovation in role-playing games. Using more open-ended role-playing elements like morality and personal alignments was pitched as this rejuvenation of the role-playing idea, a way to give players more options in creating an avatar and playing to their liking. Molyneux himself even referred to Fable as what would be "the best game ever" during the development.

This idea continues with microtransactions, something that Molyneux has been dead-set on improving. Trust me, I don’t like how microtransactions are being used today , but Molyneux has been working on ways to use them without letting them lean toward the realm of exploitation. He’s condemned the use of microtransactions in the mobile version of Dungeon Keeper , claiming they are not consumer-friendly, but he wants to find a way to make them palatable to an audience. That’s become something of another recurring trait of Molyneux: taking something universally disliked and trying to refine it so that it isn’t hated nearly as much.

Fable III was another big moment for Molyneux. The game introduced more management features in ruling the kingdom, but was panned for many of the same simplification qualms that plagued the first Fable . It certainly wasn’t poorly received, but it showed that many of these ideas that Molyneux pitches are ones that are much less practical and efficient within the current state of the medium. If the first part of the Molyneux Paradigm is hyping up a game to ridiculous levels, then the second part is to show unequivocal disdain for the game a ways after release. Fable III has been labeled by Molyneux as a "train wreck," when, all things considered, it really wasn’t. It had flaws, but the things that worked actually worked rather well. This same attitude was also delivered from Molyneux with Fable II . During the lead-up to Fable III , Fable II was considered "rubbish." Everything in the game, from the story to the controls to the aesthetic design, was bashed to no end by Molyneux himself. To make this concept even more surreal, Molyneux has even been severely self-critical to his game Populous , one of the keystones of the god game genre.