Epic Games design director Cliff Bleszinski, executive producer Rod Fergusson and New York Times bestselling author Karen Traviss provide the first look at the biggest game of 2011, including a live game demo and key announceme

Besides combat and travel, there are plenty of other motion-based opportunities throughout Albion. Activities like corralling chickens, lighting lanterns and moving obstacles may seem mundane, but serve to enrich the experience, making sure there’s always a fresh task to keep players interested. Most of these secondary actions have their own unique movements to avoid redundancies. Not content to let your arms have all the fun, there will be times where multiple paths can be selected from by bending your torso left or right. With all the different movements, it’s clear Lionhead was content on utilizing the full potential of motion-control.

One of the main reasons the story falls so flat is your character’s infinite silence. The only way to communicate with other characters is through a series of expressions that only really serve to illicit a base reaction from any NPC that sees them without any real discourse. Sure using the right expression will curry favor with the townspeople of Albion, and the wrong one will help to make them view you are boorish and rude, but it helps to illustrate the core issue with Fable II’s system. The game becomes about the choices you make, but not necessarily about the characters that those choices may alter. Due to the one-dimensional townspeople and lack of real interaction, scenes that should have some amount of emotional resonance fall significantly short. The only real feeling you have for any character is for your faithful canine companion, and even that is tenuous.

With a sprawling, graphically intense world part of a near fifteen-hour campaign, Fable: The Journey breaks any conceptions of what a Kinect title can be. It’s not demo material or a novelty release, but an uncompromising Adventure Games Treasure Maps game that weaves an engrossing story while utilizing the full potential of motion control. It doesn’t always work flawlessly, but the sheer ambition alone makes it a must-own for Fable and Kinect fans alike.

It's hard not to take families with younger children into consideration when reviewing Fable Heroes , but even they deserve something a little better than this. There are hints of complexity that suggest the game is for an older audience, while the look and gameplay make it seem like a broad, kid-friendly title that carries the Fable name. Unfortunately, in service of trying to win over the most gamers (or even non-gamers) possible, Lionhead may lose every

Now, with that said, one would think this review is going to continue down this path and Fable II will once again fail to reach the pinnacle that was expected of it. With such flaws as a poor map, an unbalanced economy, and a relatively dull plot, how could a game recover? It is quite simple, really. Like its incredibly detailed morality system, the developers seemed to be presented with a choice. They could either give it an epic story with incredibly detailed and fleshed-out characters or sacrifice a large amount of your gaming freedom, or they could give you an engrossing game with limitless options but sacrifice a fanciful plot. They chose the latter and, like your character, whether that is a good or a bad thing is essentially up to you.

Maxis Studio ( The Sims and Spore video games) has just announced their next project, a brand new, Sci-Fi Action-RPG based on the DNA of Spore . Join key leads from the dev team, Thomas Vu, Paul Sottosanti and Lauren McHugh, for the first game reveal to the pub

Dead Rising 2 , the highly anticipated sequel to Capcom's multi-million-selling zombie action video game is here! Dead Rising 2 executive producers Keiji Inafune and Shinsaku Ohara unveil development stories, provide a live demo of creating new weapons, and reveal other exclusive content. Followed by a Q&A sess

The developer of Fable 4 was originally suspected to be the Brighton, UK-based Studio Gobo developer Electric Square, who are definitely making something for Microsoft, though no one is saying exactly what just yet. Former Lionhead developer Don Williamson was asked, indirectly, if Electric Square was the developer, he said : "there's nobody here in Brighton that could take on a task of that magnitu

Movement off the horse, such as in a dungeon or mine, occurs with no player input, putting focus solely on clearing away baddies. Combat is handled via two main powers controlled by each hand. The right hand casts a damage-dealing attack spell, while the left hand can push enemies back or fling environmental objects at them. To execute either attack, you simply aim at the intended target and push your lower arm away from your upper arm with the palm facing out. While it’s a simple combat system, it truly feels that you are the one casting the spells -- always a victory for motion-based titles. Common variances like needing the left hand to pull the armor off of an enemy, while dealing damage with the right prevents gameplay from seeming stale.